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ManageMental Podcast with Blasko and Mike Mowery

Two experienced artist managers and music industry professionals bring you their take on the modern day music business and how they mentally approach the profession of management. Join Blasko and Mike Mowery as they cover hot topics in the industry, answer fan questions, provide insight on sales numbers and showcase new music with a slant toward developing artists.
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Now displaying: January, 2017
Jan 30, 2017
Referenced Article: Band merch 101: What to make, how to make it, how to sell it by Rob Dix
http://www.musicthinktank.com/blog/band-merch-101-what-to-make-how-to-make-it-how-to-sell-it.html
 
Why get merch made? 
Music merchandise has always been important to bands, both as a source of revenue and to help raise awareness of your ‘brand’. Fans love buying merch too - the music we like is closely tied in with our identity, and wearing a band’s t-shirt is a way of showing off that identity to others. Now, merch is more important than ever as a way of making money. For many independent artists, the music itself is almost a ‘loss leader’ - given away to promote live shows and merchandise.
 
What should you sell?
Merchandise ranges from the t-shirt to rather more imaginative items but how do you know what kind of thing your fans want to buy?
Ask them! If you’ve got a mailing list and / or a social media following, create a poll asking them what kind of merch they’d want to buy. You can offer a free item of merch to one respondent picked at random, as an incentive to reply.
Check out what other bands similar to you are selling.
 
 
Controlling the costs 
Buttons and stickers for example are popular because they cost so little to make that you can give them away as well as selling them. By contrast, hoodies are so expensive that you could be seriously out of pocket if they’re not as popular as you thought.
 
Minimum runs: All items will have a minimum quantity that you’ll be allowed to order. 
This will be higher for some types of merch than others.
 
Complexity of design: If you’re screen printing items you’ll be charged a set-up cost for each colour in your design - meaning a complex design with 4 colours will be much more expensive to produce than a simple 1 colour print.
 
Finding a designer
If you don’t already have a design, you’ll need to find someone to create your artwork for you. If you don’t have a friend who’s skilled in Photoshop or Illustrator, you can ask around other bands you know for a recommendation
 
There are also forums where artists sell pre-made designs (which you can customise), or you can find someone whose style you like to design something just for you.
 
If your designer is experienced in creating artwork for print (rather than the web), they’ll be able to give you the files in the format your printer is going to need.
 
 
Finding a manufacturer
Again, the best way to find a good manufacturer is to ask another band where they got their stuff made. If that’s not possible, Google is your friend - find a few printers local to you, and email them for a quote. Make sure you give them as much information possible about what you want, so they can quote accurately. For example, for t-shirts this would include:
The quantity you want
The colour(s) of the t-shirts
The number of colours in your artwork (attach a low-res sample if you can)
Where you need them delivered to
Printers will often quote the ‘per item’ price as well as a ‘set up’ cost for the screens, so you might need to do some math to arrive at the total cost. Make sure you’ve accounted for delivery and any taxes too.
 
 
Selling on the road
Selling merch on the road is a great way to pay for your gas, and help make ends meet if you’re playing shows for a low guarantee. It’s best to call ahead and make sure the venue has an area you can use to sell from. Most venues also insist on taking commission, so check what the venue cut is when booking the show.
 
You’ll need to keep track of what you’re selling, so you can make sure you’re not losing money, and you know when you’re getting low on stock and need to re-order. The easiest way is to have a pre-printed sheet which breaks down each item and size, against which you can tally your sales for each show. After each show, you can count the cash against the sales, and note down the quantity remaining for each size.
 
Selling online
If you’re attracting fans to your website or Facebook page, it’s a missed opportunity if you’re not offering them stuff to buy once they’re there. Services like BigCartel give you a free shopfront where you can easily add your products and have fans pay by Paypal. You just need to keep track of stock levels, and make sure one band member is in charge of packing and shipping the orders.
 
Another solution is to use a POD (print on demand) solution which prints merch ‘on demand when a fan buys it, and sends it direct to the fan. Once you’ve uploaded your designs, all you need to do is promote your store the company does the rest, and sends you whatever profit you’ve decided upon. That means you can offer items you might not be able to afford to print in bulk, and never have to worry about shipping or going out of stock.
 
We encourage you to send in any questions / comments you may have for us and the podcast and you can email me at AskBlasko@Gmail.com.
 
 
Follow Blasko on Twitter and Instagram: @Blasko1313
Follow Mike Mowery on Twitter and Instagram: @mikeoloop
 
Get Mike’s "Music Management Primer - The Business of Being an Artist” at OuterloopCoaching.com

 

Jan 23, 2017
This is an article we stumbled upon on StereoGum for their Top 40 Metal Albums of 2016. Before the author gets down with the actual countdown he gets dark on the state of metal in general and it makes a good topic for today. The link to the article is here for all those interested in checking it out: http://www.stereogum.com/1914718/the-40-best-metal-albums-of-2016/franchises/2016-in-review/
 
We encourage you to send in any questions / comments you may have for us and the podcast and you can email me at AskBlasko@Gmail.com.
 
 
Follow Blasko on Twitter and Instagram: @Blasko1313
Follow Mike Mowery on Twitter and Instagram: @mikeoloop
 
Get Mike’s "Music Management Primer - The Business of Being an Artist” at OuterloopCoaching.com
Jan 16, 2017
Welcome to the second episode of the Manage Mental podcast. A weekly discussion on hot topics in the music biz for the up and comers, the brand newbies, the beginners and aspiring rock stars of tomorrow.  Let us help you uncover some of the mystery that is this competitive business of rock and roll. 
 
 
Hosted Mr. Blasko (www.mercenarymanagement.com) & Mr. Mike Mowery (www.outerloopmanagement.com)
 
Today we cover the Digital Music News article written by Sahpreem A. King, a multi-platinum music producer, DJ, and author of several industry books - How to Find a Skilled, Professional Music Manager to Guide Your Career
 
We cover topics like what does a manager actually do and how to find a good one that will compliment your career path.
 
http://www.digitalmusicnews.com/2013/10/16/themanager/
 
Here are some points that we discuss!
 
Having the right manager or management team is critical to the success of every artist. 
 
No single person, outside of the artist of course, is responsible for making dreams of success turn into reality, building a brand, and business around the artist than a manager.  What’s more, a manager should be the most trusted person or persons within your camp.  In some way, they are the CEO of the brand, which is YOU!
 
I think it is foolish to represent yourself, regardless of your experience or education level.  The reason is simple: when it comes to themselves, most people are unable to be objective.
 
The Duties of an Artist Manager
 
The official definition of a manager is someone who handles the business aspect of your musical career, whether you are a solo artist, DJ, band, or producer. Artist managers serve as intermediaries between the artist and the music industry. In many cases, managers are responsible for procuring artist’s record and publishing deals, songs to record, shows, producers to work with, and other career advancing opportunities.
 
Signs of a Good Artist Manager
 
Here is what you should be looking for in your potential manager:
 
should have a degree in music business, an MBA, or years of experience as a former music executive or successful artist.
 
should have an office wall lined with platinum awards of the current or recent artists he or she has represented.
must have an intricate understanding of the music industry. Especially contract and intellectual property law, deal making, publishing, royalties, booking, touring, accounting, and marketing and business planning.
 
must at least have a business card (I kid you not), a legal business address, a client list (verifiable of course), and a detailed plan as to how they are going to take you from zero to “Guitar Hero” in a reasonable amount of time.
 
We encourage you to send in any questions / comments you may have for us and the podcast and you can email me at AskBlasko@Gmail.com.
 
 
Follow Blasko on Twitter and Instagram: @Blasko1313
Follow Mike Mowery on Twitter and Instagram: @mikeoloop
 
Get Mike’s "Music Management Primer - The Business of Being an Artist” at OuterloopCoaching.com
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